Visioni in bianco e nero. Il Brasile sotto gli occhi di Pier Paolo Pasolini
Keywords:
poesie, Pier Paolo Pasolini, BrasileAbstract
Breve retrospettiva del viaggio di Pasolini in Brasile (1970) e rilettura delle liriche scritte a partire da questa esperienza (“Gerarchia”, “Comunicato all’Ansa, Recife” e “Il piagnisteo di cui parlava Marx”), pubblicate in italiano, nell’anno successivo, in Trasumanar e organizzar (1971). L’articolo si soffermerà sulla ricezione dell’autore friulano in lingua portoghese del Brasile.
Black-and-white visions. Brazil under the eyes of Pier Paolo Pasolini
Brief retrospective of the journey of the writer and director Pier Paolo Pasolini in Brazil (1970) and re-reading of his poems written from this experience, published in Italian, in the next year. This paper aims at providing a short analysis of the reception that the Friulian author received in Brazilian Portuguese.
Downloads
References
Amoroso, M. B. (2014): Os tempos de Pasolini no Brasil. In F. Kactuz (Ed.), Pasolini, ou quando o cinema se faz poesia e política de seu tempo (pp. 120-125). Rio de Janeiro: Uns entre os outros.
Didi-Huberman, G. (2011): Sobrevivência dos vaga-lumes. Belo Horizonte: UFMG.
Fabris, M. (2014): Pasolini interpreta o Brasil, O Brasil interpreta Pasolini. In F. Kactuz (Ed.), Pasolini, ou quando o cinema se faz poesia e política de seu tempo (pp. 131-138). Rio de Janeiro: Unsentre os outros.
Kactuz, F. (Ed.) (2014): Pasolini, ou quando o cinema se faz poesia e política de seu tempo. Rio de Janeiro: Uns entre os outros.
Lahud, M. (1985, 2 dicembre): O poema de Pasolini para o Brasil. Folha de São Paulo, p.n.r.
Lahud, M. (1993): A vida clara. Linguagens e realidade segundo Pasolini. São Paulo: Unicamp/Companhia das Letras.
Jacobbi, R. (1960/05/04): Importância de Pasolini. Suplemento Literário. O Estado de São Paulo, p.n.r.
Jornal do Brasil, Rio de Janeiro (1970/03/14), p.n.r.
Mattazzi, I. (2010/02/20): Luce-Buio Didi-Huberman. Una allegoria politica rischiarata dalle lucciole. Intervista a G. Didi-Huberman. Il manifesto, p.n.r.
Pasolini, P. P. (1955): Ragazzi di vita. Milano: Garzanti.
Pasolini, P. P. (1964): Poesia in forma di rosa. Milano: Garzanti.
Pasolini, P. P. (Regia) (1968): Appunti per un film sull’India.
Pasolini, P. P. (Regia), (1969): Appunti per un’Orestiade africana.
Pasolini, P. P. (1971): Comunicato all’Ansa, Recife. In P. P. Pasolini, Trasumanar e organizzar (p. 135). Milano: Garzanti.
Pasolini, P. P. (1971): Gerarchia. En P. P. Pasolini, Trasumanar e organizzar (pp. 189-193). Milano: Garzanti.
Pasolini, P. P. (1971): Il piagnisteo di cui parlava Marx. In P. P. Pasolini, Trasumanar e organizzar (pp. 87-88). Milano: Garzanti.
Pasolini, P. P. (Regia) (1974): Le Mura di Sana’a.
Pasolini, P. P. (1975): Scritti corsari. Milano: Garzanti.
Rocha, G. (2004): Revolução do cinema novo. São Paulo: Cosac Naify.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors undertake to comply with the following conditions, which are considered accepted at the time of submission of their contributions.
The sending of a text implies that it is unpublished and not submitted to be published elsewhere.
1. If accepted, the author shall confer on the publisher the right to publish and distribute it both in paper form and in the online electronic edition. The published articles will be downloadable and made available in open access.
2. Provided that it correctly indicates that the first publication took place in the journal Oltreoceano. Rivista sulle migrazioni the author has the right to: a) reproduce the article in separate extracts or collected in a volume; b) publish the article on their personal website or teaching site provided that these sites are of a non-commercial nature; c) deposit the article in online archives of a non-commercial nature, linked to the institution they belong to or as part of projects for the non-commercial dissemination and open access of scientific works.
The use of contributions by third parties, for commercial or otherwise unauthorized purposes, is not allowed. The publisher declines all responsibility for the unauthorized use of the material published in the journal.