Pier Paolo Pasolini: trayectoria social de un artista intelectual
Keywords:
Pasolini, sociedad, artista intelectualAbstract
Pasolini (1922-1975) artista contradictorio y controversial. Se traza una línea de lectura sobre su trayectoria a través de su obra, su actitud política e intervención como intelectual. Desde el primer libro de poesía, sus antologías, novelas y filmografía, la recepción de su obra fue siempre tensionada y confrontada entre la aceptación y el rechazo; tanto en el público como en la crítica especializada. Así como su participación en el Partido comunista italiano, sus juicios por actitudes personales y su siempre crítica postura contra las expectativas implantadas por el progreso y el desarrollo tecnológico marcan su singularidad como un artista intelectual.
Pier Paolo Pasolini: social trajectory of an intellectual artist
Pasolini (1922-1975) contradictory and controversial. We trace a line of his trajectory through his work, his political attitude and involvement as an intellectual. From his first poetry book, anthologies, novels and films, the reception of his work was always confronted between acceptance and rejection, both the public and the specialized critics. Also his participation in the Italian Communist Party, his judgements for personal attitudes and critical stance against implanted expectations by progress and technological development denote his singularity as an intellectual artist.
Pier Paolo Pasolini: traiettoria sociale di un artista intellettuale
Pasolini (1922-1975), artista contraddittorio e controverso. Si traccia una linea di lettura sulla sua traiettoria attraverso l’opera, la propensione politica e l’intervento da intellettuale. Dal primo libro di poesia, dalle antologie, dai romanzi e dalla filmografia, la ricezione della sua opera fu sempre in bilico tra tra l’accettazione e il rifiuto da parte del pubblico e della critica specializzata. Allo stesso modo, la sua partecipazione nel Partito Comunista Italiano, i giudizi sui suoi atteggiamenti personali e la posizione, sempre critica, contro le aspettative avanzate dal progresso e dallo sviluppo tecnologico, segnano la sua singolarità d’artista intellettuale.
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