In Conversation with Maylis De Kerangal: Exploring the Archipelago of Her
DOI:
https://doi.org/10.53154/Oltreoceano82Keywords:
Maylis de Kerangal, Writing as Translation, Novel, Characters, RhythmAbstract
The literary career of Maylis de Kerangal, which began in 2000 with Je marche sous un ciel de traîne, has continued with the publication of around fifteen works of fiction, the most famous being Corniche Kennedy (2008), Naissance d'un pont (2010), and Réparer les vivants (2014), which have received prestigious awards in France and abroad. The last two were adapted into films in 2016. These novels, along with Tangente vers l'est (2012), À ce stade de la nuit (2014), Un monde à portée de main (2018), and Canoës (2021), have been translated into Italian and published by Feltrinelli. The title of this conversation is inspired by the French author's latest collection, Archipel, released in 2022, which brings together twenty-two texts, including fiction, stories, and essays published between 2007 and 2022. The metaphor of the archipelago simultaneously refers to the different forms explored by de Kerangal, within which it is possible to discern a profound unity. Among the numerous themes present in the writer's incredibly rich and ongoing work, some central poetic questions in her texts are addressed: the concept of writing as translation, the role of voice both in theme and narration, and the author's relationship with her characters. Through detailed writing that employs specialized vocabulary, Maylis de Kerangal immerses her readers in evocative polyphonic narrative worlds, allowing them to delve into the souls of multiple characters, sharing their emotions and sensitivities. Maylis de Kerangal's powerful writing thus equips contemporary novels with the means to preserve their narrative strength and remain vibrant, even in a media-dominated world where by images prevail.This conversation took place at the University of Udine on March 21, 2023, as part of the 29th edition of the Dedica Festival in Pordenone dedicated to the French author.
Downloads
References
De Kerangal, M. (2006): Ni fleurs ni couronnes. Paris: Verticales.
De Kerangal, M. (2008): Corniche Kennedy. Paris: Verticales.
De Kerangal, M. (2012): Tangente vers l’Est. Paris: Verticales.
De Kerangal, M. (2014): Réparer les vivants. Paris: Verticales.
De Kerangal, M. (2014): À ce stade de la nuit. Paris: Guérin.
De Kerangal, M. (2021): Canoës. Paris: Verticales.
De Kerangal, M. (2022): Un archipel. Fiction, récits, essais. Montréal: Presses de l’Université de Montréal.
Malraux, A. (1943): La Lutte avec L'Ange. Les Noyers de l'Altenburg. Roman.Lausanne: Éditions du Haut-Pays.
Proust, M. (1954): Contre Sainte-Beuve suivi de Nouveaux mélanges. Paris: Gallimard.
Rivière, J. (1994), La féminité en tant que mascarade, 1929. Dans M.-Ch. Hamon (Éd. Trad. de l’anglais), Féminité mascarade: études psychanalytiques (pp. 197-213). Paris: Seuil.
Viart, D. (2021): Un art anthropologique de la description. Les personnages secondaires chez Maylis de Kerangal. Études françaises, 57, 3 (Maylis de Kerangal. Puissances du Romanesque), pp. 33-52.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors undertake to comply with the following conditions, which are considered accepted at the time of submission of their contributions.
The sending of a text implies that it is unpublished and not submitted to be published elsewhere.
1. If accepted, the author shall confer on the publisher the right to publish and distribute it both in paper form and in the online electronic edition. The published articles will be downloadable and made available in open access.
2. Provided that it correctly indicates that the first publication took place in the journal Oltreoceano. Rivista sulle migrazioni the author has the right to: a) reproduce the article in separate extracts or collected in a volume; b) publish the article on their personal website or teaching site provided that these sites are of a non-commercial nature; c) deposit the article in online archives of a non-commercial nature, linked to the institution they belong to or as part of projects for the non-commercial dissemination and open access of scientific works.
The use of contributions by third parties, for commercial or otherwise unauthorized purposes, is not allowed. The publisher declines all responsibility for the unauthorized use of the material published in the journal.