The Epic Journeys of the Modern Canadian Penelope
Keywords:
Contemporary female fiction, Canada, Penelope, travels, identityAbstract
This essay analyses the growing presence of the literary figure of the travelling lady in contemporary women's fiction and traces her development as a new archetype in Canlit, which the author calls 'the modern Canadian Penelope'. By showing how Penelope is inscribed as a hero rather than as a passive heroine, the author argues that this new literary archetype subverts conventional representations of females in Canlit and the constructions of Canadian identity within the victim paradigm outlined by Atwood in Survival.
Gli epici viaggi della moderna Penelope canadese
Questo saggio analizza la crescente presenza della figura letteraria della viaggiatrice nella narrativa femminile contemporanea e traccia il suo sviluppo come nuovo archetipo in Canlit, che l'autrice definisce la moderna Penelope canadese. Mostrando come Penelope sia inscritta come un eroe piuttosto che come un'eroina passiva, l'autore sostiene che questo nuovo archetipo letterario sovverte le rappresentazioni convenzionali delle donne in Canlit e le costruzioni dell'identità canadese all’interno del paradigma della vittima delineato da Atwood in Survival.
Downloads
References
Atwood, M. (1972): Survival: A Thematic Guide to Canadian Literature. Toronto: Anansi.
Atwood, M. (1972): Surfacing. Toronto: McClelland & Stewart.
Brand, D. (1996): In Another Place, Not Here. Toronto: Knopf.
Campbell, J. (1949): The Hero with a Thousand Faces. Princeton: Princeton Univ. Press.
Edwards, C. (1982): The Lion’s Mouth. Edmonton: NeWest Publishers.
Frye, N. (1957): Anatomy of Criticism: Four Essays. Princeton: Princeton Univ. Press.
Gilbert, S. & Gubar, S. (1979): The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press.
Graves, R. (1961): The White Goddess: A Historical Grammar of Poetic Myth. London: Faber &Faber Ltd.
Gunn, G. (2001): Tracing Iris. Vancouver: Raincoast Books.
Heilbrun, C. (1991): What Was Penelope Unweaving? In C. Heilbrun (Ed.), Hamlet’s Mother and Other Women: Feminist Essays on Literature (s.p.). London: Women’s Press.
Heller, D. A. (1990): The Feminization of Quest-Romance: Radical Departures. Austin: University of Texas Press.
Hutcheon, L. (1988): The Canadian Postmodern: A Study of English-Canadian Fiction. Toronto: Oxford University Press.
Irvine, L. (1986): Sub/version: Canadian Fictions by Women. Toronto: ECW Press.
Kulyk K. (1990): Janice. Travelling Ladies. Toronto: Random House.
Kulyk K. (1992): Rest Harrow. Toronto: HarperCollins.
Kulyk K. (1996): The Green Library. Toronto: HarperCollins.
Kulyk K. (2007): The Ladies’ Lending Library. Toronto: HarperCollins.
MacDonald, A.-M. (1996): Fall On Your Knees. Toronto: Random House.
Morris, P. (1993): Literature and Feminism: An Introduction. Cambridge: Blackwell.
Saidero, D. (2000): Parodic Intertextuality in Canadian Female Writing. In G. Dotoli (Ed.), Il Canada tra Modernità e Tradizione (pp. 213-221). Bari: Schena.
Saidero, D. (2002): Female Quest Patterns in Post-colonial Narratives. In. S. Bassi, S. Bertracco & R. Bonicelli (Eds.), That Village of Open Doors: Le nuove letterature, crocevia della cultura moderna (pp. 277-286). Venezia: Cafoscarina.
Sakamoto, K. (1998): The Electrical Field. Toronto: Vintage Canada.
Swan, S. (1993): The Wives of Bath. Vintage Books Canada.
van Herk, A. (1986): No Fixed Address: An Amorous Journey. Toronto: McClelland & Stewart.
Urquhart, J. (1986): The Whirlpool. Toronto: McClelland & Stewart.
Urquhart, J. (1990): Changing Heaven. Toronto: McClelland & Stewart.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors undertake to comply with the following conditions, which are considered accepted at the time of submission of their contributions.
The sending of a text implies that it is unpublished and not submitted to be published elsewhere.
1. If accepted, the author shall confer on the publisher the right to publish and distribute it both in paper form and in the online electronic edition. The published articles will be downloadable and made available in open access.
2. Provided that it correctly indicates that the first publication took place in the journal Oltreoceano. Rivista sulle migrazioni the author has the right to: a) reproduce the article in separate extracts or collected in a volume; b) publish the article on their personal website or teaching site provided that these sites are of a non-commercial nature; c) deposit the article in online archives of a non-commercial nature, linked to the institution they belong to or as part of projects for the non-commercial dissemination and open access of scientific works.
The use of contributions by third parties, for commercial or otherwise unauthorized purposes, is not allowed. The publisher declines all responsibility for the unauthorized use of the material published in the journal.