Creare una memoria collettiva: le donne e i documentari italoamericani
Keywords:
documentari, storia, memoria collettiva, identità etnicaAbstract
Sia che si pongano come intermediarie tra generazioni, o negli interstizi tra storia e memoria, creatività e documento, le autrici dei documentari sembrano ritagliarsi un ruolo particolare come creatrici di una memoria collettiva e consolidatrici di un’identità etnica come quella italoamericana, forte ed in continua evoluzione.
Creating Collective Memory: Women and Italian-american Documentaries
Whether they situate themselves as intermediaries between generations or in the interstices between history and memory and between creativity and documenting, the authors of documentaries play a key role in creating collective memory and in consolidating the ever-evolving Italian-American ethnic identity.
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References
Bruno, G. (1993): Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari. Princeton: Princeton UP.
Del Giudice, L. (1994); Beth Harrington, Ave Maria: The Story of a Fisherman’s Feast. Katherine Gulla: My Town (Mio Paese). Western Folklore, 53, 3, pp. 257-262.
Lipson, K. (2008,13 genuary): Refusing to Let the Mob Hijack What It Means to Be Italian. New York Times: In the Region.
Rich, B. R. (2006): In Focus: Documentary. Cinema Journal, XLVI, 1, pp. 108-140.
Tamburri, A.J. (2001): Italian American Short Film and Music Videos. A Semiotic Reading. Digital I-Book, West-Lafayette: Purdue University Press.
Taubin, A. (2004, Summer): Documenting Women. Female Directors Rule the Hot Non-Fiction Film Market– except on the Big Screen. Ms Magazine. Recuperato da http://www.msmagazine.com/summer2004/womenonfilm.asp
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