L’io lirico di Gertrudis Gómez de Avellaneda tra sovversione e frammentazione
Keywords:
identità, reale, esperienza poetica, emigrazioneAbstract
Il saggio analizza la scrittura di Gertrudis Gómez de Avellaneda il cui fascino risiede nell’oscillazione tra il limite di un’identità socialmente negata e disconosciuta e la tensione verso l’assolutezza del sentire, propria dell’io romantico che interpreta il reale e lo risolve all’interno dell’esperienza poetica.
Gertrudis Gómez de Avellaneda’s Lyrical Subject between Subversion and Fragmentation
This essay analyzes the works of Gertrudis Gómez de Avellaneda, a poet whose charm lies in the oscillation between a socially negated and unacknowledged identity and a propensity toward absolute feeling. This is what distinguishes the Romantic I who interprets reality and expresses it through the poetic experience.
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References
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