Rosa Chacel e il cinema
Keywords:
Rosa Cacel, cinema, stadio dello specchioAbstract
Per Rosa Chacel il cinema è stato un mezzo per meglio sopportare l’esilio in quanto nello schermo rivive quel processo di unificazione del sé che caratterizza lo stadio infantile dello specchio. Stadio che per lei assume un valore speciale in quanto il momento della costruzione dell’io coincide con il momento delle prime parole.
Rosa Chacel and the Cinema
For Rosa Chacel cinema has been a mean to better stand the exile experience, as on the screen she can live again the process of unification of Self that characterizes the childhood phase of the mirror. Such phase has a special meaning for her, as the moment of the construction of the Ego coincides with the one of the first words.
Downloads
References
Angelini, A. (1992): Psicologia e cinema. Napoli: Liguori.
Arendt, H. (1994): Vita activa. La condizione umana. Milano: Bompiani.
Bucchi, F. (2007): Specchio e identità personale: riflessioni pedagogiche. Ricerche di pedagogia e didattica, 2, pp. 17-49.
Chacel, R. (2004): Diarios. In C. Pérez Chacel & A. Piedra (Eds.), Obra completa, I- IX (s.p.). Valladolid: Fundación Jorge Guillén.
Chacel, R. (2004): Desde el amanecer. Autobiografías. In C. Pérez Chacel & A. Piedra (Eds.), Obra completa, I- IX (s.p.). Valladolid: Fundación Jorge Guillén.
Costa, E. (2004): Psiche e cinema: immagini dall’inconscio. Roma: Lithos.
Keller, H. (1988): The Story of my Life. New York: Penguin Books.
Lacan, J. (1988): Lo stadio dello specchio come formatore della funzione dell’io. In J. Lacan, Scritti, I (pp. 87-94). Torino: Einaudi.
Metz, C. (1980): Cinema e psicoanalisi. Venezia: Marsilio.
Massucci Calderaro, S. (2010): Rosa Chacel: el lenguaje del exilio desde Río de Janeiro. Recuperato da https://pendienteemigracion.ucm.es/info/especulo/numero47/rschacel.html
Ortega y Gasset, J. (1989): La deshumanización del arte. Madrid: Alianza.
Plaza-Agudo, I. (2010): El cine en la obra autobiográfica de Rosa Chacel en el exilio: deelemento de catarsis a objeto de crítica. In A. Fernández Insuela & all (Eds.), Setenta años después. El exilio literario español de 1939 (pp. 483-500). Oviedo: KRK.
Rodríguez, A. (1994): La escuela de la mirada. Notas sobre la influencia del cine en Rosa Chacel. In M.P. Martínez Latre (Ed.), Actas del Congreso en Homenaje a Rosa Chacel (pp. 51-74). Logroño: Universidad de la Rioja.
Rodríguez Fischer, A. (Ed.) (1998): De mar a mar. Epistolario Rosa Chacel-Ana María Moix. Barcelona: Península.
Silvestri, L. (2014): Epistolario Chacel-Moix o la historia de dos vocaciones. Cuadernos Aispi, 3, pp. 125-142.
Silvestri, L. (2014): Esilio e genere nella scrittura di Rosa Chacel. In E. Perassi, S. Regazzoni & M. Cannavacciuolo (Eds.), Scritture migranti. Per Silvana Serafin (pp. 245-255). Venezia: Ca’Foscari.
Sini, C. (1989): I segni dell’anima. Saggio sull’immagine. Roma-Bari: Laterza.
Sini, C. (1990): Il simbolo e l’uomo. Milano: EGEA.
Watzlawik, P., Beavin, J. & Jackson, D. (Eds.) (1971): Pragmatica della comunicazione umana. Roma: Astrolabio.
Winnicott, D. W. (1974): Gioco e realtà. Roma: Armando.
Zambrano, M. (2004): Los bienaventurados. Madrid: Siruela.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors undertake to comply with the following conditions, which are considered accepted at the time of submission of their contributions.
The sending of a text implies that it is unpublished and not submitted to be published elsewhere.
1. If accepted, the author shall confer on the publisher the right to publish and distribute it both in paper form and in the online electronic edition. The published articles will be downloadable and made available in open access.
2. Provided that it correctly indicates that the first publication took place in the journal Oltreoceano. Rivista sulle migrazioni the author has the right to: a) reproduce the article in separate extracts or collected in a volume; b) publish the article on their personal website or teaching site provided that these sites are of a non-commercial nature; c) deposit the article in online archives of a non-commercial nature, linked to the institution they belong to or as part of projects for the non-commercial dissemination and open access of scientific works.
The use of contributions by third parties, for commercial or otherwise unauthorized purposes, is not allowed. The publisher declines all responsibility for the unauthorized use of the material published in the journal.