Migración, autoficción y autotraducción en Cruzando el río en bicicleta de Ana Cecilia Prenz Kopušar
Keywords:
migración, autoficción, autotraducciónAbstract
Tres países, tres ciudades, tres culturas y tres lenguas se entraman en esta opera prima de Cecilia Prenz. Nacida en Belgrado, autoidentificada como argentina y residente en Trieste. La novela, escrita primero en español y publicada en 2015 en Argentina, ha sido reeditada en versión italiana (autotraducida por la autora) por una editorial independiente de Trieste. Los dos productos,
leídos comparativamente, permiten indagar aspectos que involucran la experiencia de la migración (o exilio con algunas variantes interpretativas personales) de la autora y de su familia, de la autoficción y la autotraducción y al mismo tiempo, el particular proceso de concientización de la propia identidad, terminada de configurar a través del memorial creativo.
Migration, Autofiction and Self-Translation in Cruzando el río en bicicleta by Ana Cecilia Prenz Kopušar
Three countries, three cities, three cultures and three languages are intertwined in Cecilia Prenz’s first work. Born in Belgrado, self-identified as Argentinean and resident in Trieste. The novel, first written in Spanish and published in Argentina in 2015, has been reissued in an Italian version (self-translated by the writer) by an independent publisher from Trieste. The two products, comparatively read, allow to investigate aspects that involve the author and her family’s experience of migration (or exile with some personal interpretative variations), of autofiction and of self-translation and, at the same time, the unique process of
awareness of the own identity, configured completely through the creative memorial.
Migrazione, autofinzione e autotraduzione in Cruzando el río en bicicleta di Ana Cecilia Prenz Kopušar
Tre paesi, tre città, tre culture e tre lingue s’intrecciano in questo esordio di Cecilia Prenz. Nata a Belgrado, auto-identificata come argentina, vive a Trieste. Il romanzo, scritto in spagnolo e pubblicato prima nel 2015 in Argentina, è stato ristampato in versione italiana (autotradotta) da parte di un editore indipendente di Trieste. I due volumi, letti comparativamente, permettono di indagare gli aspetti che coinvolgono l’esperienza della migrazione (o esilio con alcune varianti interpretative personali) dell’autrice e della sua famiglia, dell’autofinzione, dell’auto-traduzione e, allo stesso tempo, il particolare processo di consapevolezza della propria identità, la cui configurazione ultima avviene attraverso il memoriale creativo.
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