Vicenda umana e creazione poetica in Alfonsina Storni

Authors

  • Giuseppe Bellini Università degli Studi di Milano

Keywords:

vita, poesia, amore, morte, Alfonsina Storni

Abstract

Attraverso la poesia, viene ricostruita la vita di Alfonsina Storni, nata nel Canton Ticino ed emigrata in Argentina, il cui io lirico si confessa in temi comuni alle altre poetesse contemporanee del Río de la Plata: l’amore, la delusione, la morte. Tuttavia emergono il suo essere anticonformista e femminista ante litteram. Lo studio sfata una serie di giudizi critici contraddittori.

Human Life and Poetic Creation in the works of Alfonsina Storni
This study aims to overturn some contradictory criticism on Alfonsina Storni’s poetry, which reconstructs her life. Born in Canton Ticino, she emigrated to Argentina and thus addresses topics, such as love, death and delusion, like other contemporary female poets from the Rio de la Plata region. Yet her lyrical I reveals that she was an ante litteram anti-conformist and feminist.

Downloads

Download data is not yet available.

References

Bellini, G. (1950): Figure della poesia negra ispano-americana, Milano: La Goliardica.

Bellini, G. (1952): Antologia della poesia femminile ispano-americana. Milano: La Goliardica.

Bellini, G. (1953): Figure della poesia femminile ispano-americana. Milano: La Goliardica.

Bellini, G. (1953): Il romanzo di Rómulo Gallegos. Milano: La Goliardica.

Bellini, G. (1957): Poeti antillani. Milano: Cisalpino.

Bellini, G. (1963): Poeti delle Antille. Parma: Guanda.

Bellini, G. (1996): La poesia di Alfonsina Storni o l’attrazione della morte. In E. Perassi (Ed.), Tradizione, innovazione, modelli. Scrittura femminile del mondo iberico e americano (pp. 181-195). Roma: CNR-Bulzoni.

Cervants Virtual (s.d): Voce Alfonsina Storni. Recuperato da http://www.cervantesvirtual.com/bib_autor/Alfonsina/autora.shtml.

Cruz, Sor J. I. de la (1951): Obras Completas, I. A. Méndez Plancarte (Ed.). México: Fondo de Cultura Económica.

Cruz, Sor J. I. de la (1953): Respuesta a Sor Filotea de la Cruz. G. Bellini (Studio introduttivo e note). Milano: Cisalpino.

Cruz, Sor J.I. de la (1951): Hombres necios, Obras Completas, I (pp. 228-229). A. Méndez Plancarte (Ed.). México: Fondo de Cultura Económica.

Cruz, Sor Sor J. I. de la (1951): Pinta la proporción hermosa de la Excma. Señora Condesa de Paredes, con otra de cuidados, elegantes esdrújulos, que aun le remite desde México a su Excelencia. In Sor Sor J. I. de la Cruz, Obras Completas, I (pp. 171-175). A.Méndez Plancarte (Ed.). México: Fondo de Cultura Económica.

Delgado, J. (1990): Alfonsina Storni. Buenos Aires: Planeta Argentina.

Díez-Canedo, E. (1944): Alfonsina Storni, poetisa argentina. In E. Díez-Canedo, Letras de América (pp. 292-298). México: El Colegio de México.

Leguizamón, J. A. (1945): Historia de la literatura hispanoamericana, II. Buenos Aires: Ed. Reunidas.

Neruda, P. (1951): Poesías completas. Buenos Aires: Losada.

Onís, F. de (1935): Introducción. In F. de Onís, Antología de la poesía española e hispanoamericana (pp. XIII-XXIV). Madrid: Revista de Occidente.

Reyes, B. (2007): El enigma de Malva Marina. Santiago de Chile: RIL.

Scudieri Ruggieri, J. (1948): Letteratura femminile nell’America Latina. Rivista di Letterature Moderne, 1-2, III, pp. 23-45.

Storni, A. (1946): Antología poética. Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): Palabras prologales. In A. Storni, Antología poética (pp.15-16). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): Retrato de García Lorca. Mundo de siete pozos. In A. Storni, Antología poética (pp. 123-125). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): Yo en el fondo del mar. Mundo de siete pozos. In A. Storni, Antología poética (pp. 139-140). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): A Horacio Quiroga. Poesías (posteriores a 1934). In A. Storni, Antología poética (p. 161). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): Silencio. Irremediablemente. In A. Storni, Antología poética (pp. 35-37). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): Hombre pequeñito. Irremediablemente. In A. Storni, Antología poética (pp. 41-42). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946):¿Qué diría?. El dulce daño. In A. Storni, Antología poética (p. 33). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): Un cementerio que mira al mar. In A. Storni, Languidez (pp. 73-75). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): Yo en el fondo del mar. Mundo de siete pozos. In A. Storni, Antología poética (pp. 139-140). Buenos Aires: Espasa Calpe Argentina.

Storni, A. (1946): Cabeza y mar. Poesías (posteriores a 1934). In A. Storni, Antología poética (pp.157-159). Buenos Aires: Espasa CalpeArgentina.

Storni, A. (1973): Poesia. Lugano: Fondazione Ticino Nostro.

Torres-Ríoseco, A. (1945): La gran literatura íbero-americana. Buenos Aires: Emecé.

Zanon Dal Bo, A. (1973): Appendice. In A. Storni, Poesia (pp. 599-618). Lugano: Fondazione Ticino Nostro.

Downloads

Published

2022-01-21

How to Cite

Bellini, G. (2022). Vicenda umana e creazione poetica in Alfonsina Storni. Oltreoceano - Rivista Sulle Migrazioni, (3), 125–133. Retrieved from https://riviste.lineaedizioni.it/index.php/oltreoceano/article/view/334

Issue

No. 3 (2009): Dialoguing with Poetry: Women’s Voices from the Americas and Australia

Section

Ispano-America

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

The authors undertake to comply with the following conditions, which are considered accepted at the time of submission of their contributions.
The sending of a text implies that it is unpublished and not submitted to be published elsewhere.

1. If accepted, the author shall confer on the publisher the right to publish and distribute it both in paper form and in the online electronic edition. The published articles will be downloadable and made available in open access.
2. Provided that it correctly indicates that the first publication took place in the journal Oltreoceano. Rivista sulle migrazioni the author has the right to: a) reproduce the article in separate extracts or collected in a volume; b) publish the article on their personal website or teaching site provided that these sites are of a non-commercial nature; c) deposit the article in online archives of a non-commercial nature, linked to the institution they belong to or as part of projects for the non-commercial dissemination and open access of scientific works.

The use of contributions by third parties, for commercial or otherwise unauthorized purposes, is not allowed. The publisher declines all responsibility for the unauthorized use of the material published in the journal.